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1. Faulty Towers The Dining Experiencepå Radisson Blu Edwardian Bloomsbury, fre, 31 jan 2020 - sön, 3 maj 2020
Från 1 000 kr
2. The Prince of Egyptpå Dominion Theatre, ons, 5 feb 2020 - lör, 12 sep 2020
Från 789 kr
3. Michael Keegan-Dolan - Teac Damsa - MAMpå Sadler's Wells, ons, 5 feb 2020 - fre, 7 feb 2020
Från 264 kr
4. Luisa Millerpå Coliseum Theatre, ons, 12 feb 2020 - fre, 6 mar 2020
Från 331 kr
5. Opera Undonepå Trafalgar Studio Two, ons, 5 feb 2020 - lör, 7 mar 2020
Från 331 kr
6. Eric & Ernpå Duke of York's Theatre, sön, 2 feb 2020 - sön, 9 feb 2020
Från 264 kr
7. Musikpå Leicester Square Theatre, ons, 5 feb 2020 - sön, 1 mar 2020
Från 541 kr
8. Pass Overpå Kiln Theatre, tor, 13 feb 2020 - lör, 21 mar 2020
Från 245 kr
9. Poet in da Cornerpå Royal Court Theatre, tor, 30 jan 2020 - lör, 22 feb 2020
Från 242 kr
10. The Giftpå Theatre Royal Stratford East, tor, 30 jan 2020 - lör, 15 feb 2020
Från 337 kr
Detta är en helt ny produkt i vårt sortiment som du redan nu kan boka biljetter till - information på svenska kommer att finnas tillgänglig snart.
Ben Elton brings his critically acclaimed and much adored BBC sitcom UPSTART CROW to its natural home, the stage, with an all-new comic play set to delight London’s West End. Starring David Mitchell, once more donning the bald wig and bardish coddling pouch in his iconic characterisation of Will Shakespeare and Gemma Whelan as the sweet and fragrant Kate.
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‘Tis 1605 and England’s greatest playwright is in trouble. Will Shakespeare has produced just two plays; Measure for Measure, which according to King James was incomprehensible bollingbrokes by any measure, and All’s Well That End’s Well which didn’t even end well.
Will desperately needs to maketh a brilliant new play to bolster his reputation and avoid being cast aside by King and country. But Will’s personal life is encountering more dramatic twists and turns than any theatrical story he can conjure. How the futtock can a Bard be expected to find a plot for a play whilst his daughters run amok and his house is used as refuge for any old waif and stray.
As time runs out, can Will hold on to his dream of being recognised now and for all time, as indisputably the greatest writer that ever lived, or will family woes thwart Will’s chances of producing his masterwork?